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I could never be a studio photographer. I respect those who do it, but give me the great outdoors! I love the anticipation and unpredictability of a sunset and the feeling of cold, crisp morning air in my lungs as I wait for the sun to rise. I enjoy the challenge of the uncertainties that Mother Nature throws at me and the feeling of satisfaction when she and I are aligned on the same wavelength. I've driven, flown and walked thousands miles in pursuit of the perfect shot, and have stood in pouring rain and temperatures so cold that I had to hope that I released the shutter fully because I couldn't actually feel the button. The best part is rummaging through my photos years later and landing on those that let me relive the experience again all the way down to the numb fingertips and rain soaked parka.
I keep my kit light and never carry more than three or four lenses and essential peripherals in a small, easily accessible over the shoulder sling bag anywhere I go. I learned early on in my photographic journey the importance of being nimble, and have had to run many times to capture a fleeting moment that I would have otherwise missed if I was clumsily lugging forty pounds of gear in a full sprint. As the saying goes, "Time waits for no man".
Of course none of this would be possible without the enthusiastic support and encouragement that I get from friends and family. My wife, Michelle, is my #1 scout and ardent supporter always alerting me to interesting photo prospects and arranging amazing excursions to satisfy my photo appetite including trips to Italy, The Netherlands, Hawaii and so many more. She is actually an amazing photographer in her own right, so she understands when I stop every ten feet to snap yet another photo. Sometimes she waits for me, but most of the time she ventures on ahead or off to the side to capture her own moments. She's the Yin to my Yang.
I've never allowed myself to be pigeon-holed into anything, in art and in life, and the same is true with my photography. I get as much joy out of shooting with my $65 vintage Russian eBay find lens as I do with my expensive landscape lenses. I'm often asked what type of photography I like the most, and though I may tend toward landscape, I thoroughly enjoy the creative necessity of shooting with old, imperfect glass. Regardless of the tangibles that I carry on a shoot, it's the loveliness of communing with nature and the conversations with strangers that I encounter that gives me true joy as a photographer.
Man at Work
Credit: Ray Cheung Credit: Me! Credit: Jose Lopez Credit: Mick Aldworth |
I could never be a studio photographer. I respect those who do it, but give me the great outdoors! I love the anticipation and unpredictability of a sunset and the feeling of cold, crisp morning air in my lungs as I wait for the sun to rise. I enjoy the challenge of the uncertainties that Mother Nature throws at me and the feeling of satisfaction when she and I are aligned on the same wavelength. I've driven, flown and walked thousands miles in pursuit of the perfect shot, and have stood in pouring rain and temperatures so cold that I had to hope that I released the shutter fully because I couldn't actually feel the button. The best part is rummaging through my photos years later and landing on those that let me relive the experience again all the way down to the numb fingertips and rain soaked parka.
I keep my kit light and never carry more than three or four lenses and essential peripherals in a small, easily accessible over the shoulder sling bag anywhere I go. I learned early on in my photographic journey the importance of being nimble, and have had to run many times to capture a fleeting moment that I would have otherwise missed if I was clumsily lugging forty pounds of gear in a full sprint. As the saying goes, "Time waits for no man". Of course none of this would be possible without the enthusiastic support and encouragement that I get from friends and family. My wife, Michelle, is my #1 scout and ardent supporter always alerting me to interesting photo prospects and arranging amazing excursions to satisfy my photo appetite including trips to Italy, The Netherlands, Hawaii and so many more. She is actually an amazing photographer in her own right, so she understands when I stop every ten feet to snap yet another photo. Sometimes she waits for me, but most of the time she ventures on ahead or off to the side to capture her own moments. She's the Yin to my Yang. I've never allowed myself to be pigeon-holed into anything, in art and in life, and the same is true with my photography. I get as much joy out of shooting with my $65 vintage Russian eBay find lens as I do with my expensive landscape lenses. I'm often asked what type of photography I like the most, and though I may tend toward landscape, I thoroughly enjoy the creative necessity of shooting with old, imperfect glass. Regardless of the tangibles that I carry on a shoot, it's the loveliness of communing with nature and the conversations with strangers that I encounter that gives me true joy as a photographer.
Man at Work
Credit: Ray Cheung Credit: Me! Credit: Jose Lopez Credit: Mick Aldworth |
| I'm getting ready to enter my first ever California State Fair photo competition! The first stage is entering digital files for jury selection where a panel of judges critiques them based on Technical Quality, Composition, Lighting, Creativity and Visual Impact. If accepted, I submit the actual piece for display, judging and possible sale. Here's what I've got ... | |
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Point Piños Lighthouse - Pacific Grove, CA I picked this one at the suggestion of my wife, Michelle. She pointed out that this is the "California" State Fair, so I should probably submit a recognizable California image/landmark. I took this photo from the parking lot after touring hours, and had to hold my camera above my head to shoot over the fence surrounding the property. I fired off a few shots, aligning the composition as best I could with the flip out viewfinder, and captured this. Sometimes it's better to be lucky than good. 😀 |
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Blue Door of The Pantheon - Rome, Italy This photo is a personal favorite of mine, so there was a little favoritism in its inclusion. However, I do think that it covers a few of the categories for consideration: Composition, Creativity and Visual Impact. I've always really liked the texture and the asymmetrical composition of this photo. I framed it specifically to capture all of the textures surrounding and enveloping the main subject - the blue door. I shot this photo with my favorite vintage lens, the trusted Helios, as I walked around Rome while on vacation. We'll see if it passes the judges' sniff test. |
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'53 Ford Surfer Dog - Cayucos, CA This is another personal favorite, and also a fan favorite on social media. This was taken on the strand in Cayucos where I noticed this weathered '53 Ford stationwagon parked and three dogs inside. I asked the owner, a biker-surfer looking dude, if I could take some photos and he replied, "Sure". This is another one taken with the Helios that I think worked great to give the shot a vintage look. I think it also covers all of the judges criteria, so I'm hoping this will be a strong contender in the jury selection. |
| The fair runs July 17 through August 2. I'll update everyone after the jury voting at the end of May to let you know if any of my pieces were selected. There's a second round of judging where awards are given. This happens around mid-July. Hopefully I'll bring home some hardware. You'll all be the first to know. Wish me luck! | |
| I'm getting ready to enter my first ever California State Fair photo competition! The first stage is entering digital files for jury selection where a panel of judges critiques them based on Technical Quality, Composition, Lighting, Creativity and Visual Impact. If accepted, I submit the actual piece for display, judging and possible sale. Here's what I've got ... |
![]() |
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Point Piños Lighthouse - Pacific Grove, CA I picked this one at the suggestion of my wife, Michelle. She pointed out that this is the "California" State Fair, so I should probably submit a recognizable California image/landmark. I took this photo from the parking lot after touring hours, and had to hold my camera above my head to shoot over the fence surrounding the property. I fired off a few shots, aligning the composition as best I could with the flip out viewfinder, and captured this. Sometimes it's better to be lucky than good. 😀 |
![]() |
|
Blue Door of The Pantheon - Rome, Italy This photo is a personal favorite of mine, so there was a little favoritism in its inclusion. However, I do think that it covers a few of the categories for consideration: Composition, Creativity and Visual Impact. I've always really liked the texture and the asymmetrical composition of this photo. I framed it specifically to capture all of the textures surrounding and enveloping the main subject - the blue door. I shot this photo with my favorite vintage lens, the trusted Helios, as I walked around Rome while on vacation. We'll see if it passes the judges' sniff test. |
![]() |
|
'53 Ford Surfer Dog - Cayucos, CA This is another personal favorite, and also a fan favorite on social media. This was taken on the strand in Cayucos where I noticed this weathered '53 Ford stationwagon parked and three dogs inside. I asked the owner, a biker-surfer looking dude, if I could take some photos and he replied, "Sure". This is another one taken with the Helios that I think worked great to give the shot a vintage look. I think it also covers all of the judges criteria, so I'm hoping this will be a strong contender in the jury selection. |
| The fair runs July 17 through August 2. I'll update everyone after the jury voting at the end of May to let you know if any of my pieces were selected. There's a second round of judging where awards are given. This happens around mid-July. Hopefully I'll bring home some hardware. You'll all be the first to know. Wish me luck! |
